The 1957 film of Agatha Christie’s play Witness for the Prosecution is a delightful, captivating, well-constructed affair. As long as you don’t figure out the key twist (which relies on a very skillful act of legerdemain), it will bowl you over. And even if you do figure it out – as I did – Christie still throws in one or five shocks at the end for good measure. Impeccably acted by Charles Laughton, Elsa Lanchester and Tyrone Power (and with a debatable performance from Marlene Dietrich thrown in for good measure), it’s a bona fide success. So, how does the 1982 TV remake stand up?

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Film Review: Murder on the Orient Express (1974)

with Albert Finney (Hercule Poirot), Lauren Bacall (Mrs. Hubbard), Martin Balsam (M. Bianchi), Ingrid Bergman (Greta), Jacqueline Bisset (Countess Andrenyi), Jean-Pierre Cassel (Pierre), Sean Connery (Colonel Arbuthnot), John Gielgud (Beddoes), Wendy Hiller (Princess Dragomiroff), Anthony Perkins (McQueen), Vanessa Redgrave (Mary Debenham), Rachel Roberts (Hildegarde Schmidt), Richard Widmark (Ratchett), Michael York (Count Andrenyi), Colin Blakely (Cyrus P. Hardman), Denis Quilley (Foscarelli)

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