Well, great news, folks: although it remains in negotation, David Suchet seems ever more optimistic that the remaining Poirot novels will be filmed in 2012. It’s been a long road, as period films don’t come cheap, particularly not when commanding the kind of cast and attention to detail expected. (Suchet is, wonderfully, a purist, who obsesses over the little things – perfectly cast, I’d say!) With the rise and fall of period drama being a regular fixture since television began, it was no surprise that Poirot would face uphill battles and, since the series debuted in 1989, it’s certainly had to fight to stay on the air. Thankfully, it looks like there’s a light at the end of the tunnel.

[THIS JUST IN: Thanks to the wonderful commenter below, who alerted me to the recent news that Suchet WILL get his wish: five final Poirot films will be made in 2012 and 2013.]

So, I thought I’d muse on what we can expect should Suchet get his wish:

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And so, more than twenty years after he began in the role, David Suchet returns for four more Poirot films: Three Act Tragedy, The Clocks, Hallowe’en Party and Murder on the Orient Express. Below, I’ll look at each of them in detail, as well as considering the dramatic evolution of the series. Tomorrow, I’ll mull through some hopes and prayers for the program’s final series, which is currently in the midst of negotiation. (Update: as of January 2012, the series has been renewed.)

(For previous posts, see: series 1 – 6, series 7 – 8, series 9, series 10 – 11).

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Welcome back, as we continue reviewing the ITV series Agatha Christie’s Poirot. (For previous posts, see: series 1 – 6, series 7 – 8, series 9). Read on …

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